“We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.

-The Cocktail Party, T.S. Eliot


doldrums

give me grit and grace,

and calluses on my hands. 

give me crow’s feet and 

hands like rice paper. 

give me moody skyscapes 

and scratches from thorns. 

but keep that empty heart,

and those dull days.

I don’t want those anymore.  


gallery girl

empty art museums are the purest vessels for a self.

I find myself (and leave myself)

in these gothic corridors, these lightened halls. 

echoing slumberously, better than the oldest of cathedrals,

paintings resting on the wall, laconic in afternoon sunshine. 

I become tired in a unique way after hours spent in galleries. 

my blood moves sluggishly, my heart slows,

until I find I’ve died a little.

that small cessation of self leaves behind a husk of my mind.

the next time I visit the louvre,

I’ll find an old shadow of mine, lingering in the north hall. 


sometimes the walls of my veins tire

of containing the blood within

and they stretch and bend 

like willows on a western prairie 

or white cotton on a clothesline 

I don’t think

that I can ever 

sleep 

enough. 


when morning sunlight shines through your skin, 

your hands take on the color and feel of warm summer peaches,

glowing and sweet.

you taste like summer wines and rose water and dust.

I am so lost in you. 

I am so lost. 


summertime sadness

even as the first buds bloom, 

and may ripens like a summer moon,

I feel the creep of snow coming.

junes do fade (this I know)

and july flees like the hunted (too soon)

the girl I loved would take to cutting roses

and freezing them,

so they hung suspended, 

in jars, in our freezer, in ice.

then, late in the winter,

when the day sleeps for long hours in darkness

and our skin is white and thin,

she holds up these jars to the kitchen light and says

“can you believe that summer was ever real?”

she shuts the flowers away again and murmurs,

“I’m sure I dreamt the sun.” 


remember

the word lethal slips into my ears,

like a knife between ribs.

the roots of the word trace back to Lethe

and the underworld and forgetfulness. 

sip the waters and lose yourself. 

to forget is deadly, 

even the words know this. 


the shy minded

there are these creeping, white fingertips

pressing at my windowpanes,

scratching at my windowsill. 

pale wrist, exposed to the sunlight, 

glowing like new snow.

these fingers prompt me, gently

“let us in.” 

I move away and shut the curtains,

set the locks and sleep for days

so that I can ignore the creaking of the frames. 


tide charts

there is something essentially brittle about my mind,

something ridged and crystalline and fine,

like dehydrated coral or a sea urchin’s spines. 

I am afraid to feel to strongly, 

and I fear I don’t feel enough. 

I can’t stop thinking about stupid things I said,

and they play in my head like the roar of surf.

when you see that look in my eyes,

you press your mouth against my salty skin and whisper

“come back, come back to me.” 

you have to understand that my heart is a sandcastle,

and you are the rising tide.

goddamn but these waves are strong and

I am not resilient, my shape will not hold.  

you have to know that I am afraid of fear itself,

as well as the tendrils of fright that sling into me

like monsoons and riptides 

allow my neuroticism and my anxiety 

and I will show you a mind that no one knows,

a forgotten cove in a sea of mentality.

the gentle-hearted have minds like simple shells.

rough and worn exterior, 

but internally they hold a mother of pearl world. 


ode to a grecian girl

wherever persephone stepped,

flowers would spring up, 

like hungry children, reaching for the sun. 

darling, I’m not that girl.

you’ll never find solace in my footprints, 

or grace in my path. 

I can’t tell you how many nights 

I wished I was eurydice or ariadne or hero

or anyone but who I am.

no one will follow me to the underworld,

look for my light in the darkness of a bay

or follow my thread through a maze.

darling, I’m not that girl

(no matter how I wish to be)


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